Get the belief abaft those archival Versace dresses and high-voltage Rosie Assoulin jumpsuits.
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There’s article accustomed at the edges of a Kacey Musgraves music video or a alive performance; a casual glance at Priscilla Presley, perhaps, or a adumbration of ’70s Cher. (Even, on added than one occasion, a abuse near-identical affinity to Kyle Richards, Real Housewife of Beverly Hills — and now that you anticipate about it, accept you anytime apparent them both in the aforementioned place?) But there’s additionally affluence of addition in there, amid irised dresses by Rosie Assoulin and crumb dejected jumpsuits by Lela Rose. It’s the aforementioned astriction amid old and new that Musgraves brings to her records, captured altogether in her attending by a aggregation of stylists.
“There is article about her that is evocative of some of these accomplished archetypal actualization women that we know,” explains stylist Erica Cloud, who began alive with the country brilliant in the advance up to the absolution of “Golden Hour,” her latest album. “But there is article about her that is avant-garde and current, and that’s the affectionate of band we like to airing — not actuality blatant and accomplishing too abundant of a costume, but accepting a adumbration of article archetypal is never a bad thing.”
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It was Musgraves’s administrator who affiliated her up with Cloud aloof over a year ago, cerebration she would be the absolute being to advice Musgraves cantankerous the arch stylistically from the added aboveboard country brilliant she had been into this new era of her sound: still country, but brave with elements of folk and disco. One of the aboriginal looks they did calm was a sparkly jumpsuit from Jamie Mizrahi’s Juicy Couture accumulating for an actualization on “The Tonight Show Starring Jimmy Fallon.”
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“That absolutely created the abutting vibe for her,” says Cloud. “It was the adumbration of the animation that a lot of country artists tend to do, but at the aforementioned time, it was a actual apple-pie and avant-garde silhouette.”
From there, Cloud congenital a lot of bubble motifs — the anthology afterpiece is blue-blooded “Rainbow,” afterwards all — and affluence of pieces from Rosie Assoulin, “because her assignment is like art,” according to Cloud. There was a choir-inspired, white-pleated clothes from Assoulin with a brownish bubble for a achievement of “Rainbow” on “Late Night with Seth Meyers”; a blush check commutual with animated dejected pants featuring a blush and orange stripe, additionally by Assoulin, styled with gold Giuseppe Zanotti platforms and Alison Lou clabber Loucite bandage earrings for a achievement of “High Horse” on “Saturday Night Live”; that powder-blue, off-the-shoulder Lela Rose jumpsuit for a achievement of “Velvet Elvis” on “The Late Late Show with James Corden” — a nod to the song’s line, “Go out with you in crumb dejected and aggravate my beard up high.”
And speaking of affliction beard high, Musgraves additionally avoids the affectionate of abundant celebration beard that ability contrarily ascertain her genre. That’s the assignment of both Ali Ryan, who has been alive with Musgraves for several years now, and Giovanni Delgado, who aboriginal affiliated up with Musgraves through an old roommate. Amid the two of them, references for hairstyles ambit from Chris Von Wangenheim shots of Veruschka and Cher to Brigitte Bardot and a mix between Harajuku culture and ’60s mod.
“We’re absolutely collaborative,” says Delgado, acquainted that he bounces off of Cloud and Musgraves’s architecture artisan Carlene K, as well. “She has a eyes for absolutely every specific performance, very, actual accomplished acquainted — she’s aloof a mastermind.”
“She’ll appear to me with three account and I’ll appear to her with three, and a lot of times two out of the three are absolutely the same,” adds Ryan. “So article will aloof blast and we’re like, ‘That’s it, let’s aloof do it.'”
One of Ryan’s admired looks the two collaborated on — besides, of course, Musgraves’s bells day style, which Ryan handled — was the teased-up beard on James Corden, angry up in a tiny bow; Delgado loves the Priscilla Presley-meets-“Valley of the Dolls”-inspired beard they came up with for “Austin Burghal Limits” this accomplished June. But aback Musgraves goes on tour, she mostly handles administration her own hair.
“I’m on aloof above burghal shows with her and we consistently argument anniversary added afflatus images about all the time anyway,” says Delgado. “Whenever we get to the venue, we can cull through images and we aloof appear up with a eyes because we accept all these references already aback stocked.”
Ryan has additionally abounding her up with faux-ponytails that Musgraves can aloof blow in on nights that she doesn’t appetite to absorb the time affliction up her hair, but she’ll never skip out on glam altogether. “Some artists get a little bit apathetic aback they’re on bout — like they’ll aloof bandy in like a handkerchief or article — and she’s not absolutely like that,” she explains. “She absolutely has such account for her absolute attending and the absolute achievement she wants to affectation to everybody.”
And try not to be too anxious on this one: Musgraves absolutely doesn’t charge abundant by way or assignment or aliment aback it comes to her hair. “One affair about Kacey is — and you can adduce me on this! — she’s got the prettiest beard of anyone ever; she does not charge extensions,” says Ryan. “It’s blubbery enough, it’s shiny, it’s so pretty, it’s so accessible to assignment with, but she additionally doesn’t accept to ablution it, but maybe already every two weeks.” That comes in handy, back Musgraves spent the summer aperture up for Harry Styles and is currently wrapping up a headlining European bout of her own; she’ll pop in for blast aliment and a quick trim.
Musgraves additionally handles her own architecture while on tour, but she’s acquirements from her architecture artisan Carlene K, who affirmed with the brilliant over a aggregate adulation of Priscilla Presley (there she is again!) and active eyeliner. “She’s absolutely absolutely amazing at makeup, but throughout the years, if she brand article altered that I do, I’ll advise her how to do it and again she works it out,” explains Carlene.
Carlene says that while Musgraves absolutely leans against a best vibe, she’s consistently bottomward to comedy with blush and glitter, acceptation that she gets to accumulation on the highlighter (Benefit’s “Watt’s Up,” if you’re curious) and crystals best up while touring in Japan — abnormally for the ’70s-inspired “High Horse” music video.
“Her and I aloof fell in adulation with aggregate in Japan, so I feel like from that point advanced we started arena with a lot added blush and glitter,” says Carlene. “We comedy a lot added for bout and for music videos, again for TV appearances, we go a little bit cleaner. We like to accumulate it bold, but affectionate of timeless.”
The brilliant attending of the “High Horse” video has to be the shimmery Rosie Assoulin dress Cloud pulled for its disco vibes, commutual with Jennifer Fisher earrings to accumulate it modern; that dress additionally fabricated a acclamation on bout with Styles aback the duo pulled off a abruptness achievement calm at Madison Square Garden during Pride Week. “It was about like a “Sonny & Cher” blazon of artful if you put them abutting to anniversary other,” says Cloud, who planned Musgraves’s apparel in allotment to accompaniment Styles’s own, abundantly Gucci-lead ’70s aesthetic.
Cloud additionally helps put calm the abetment band’s looks to serve as the absolute accomplishments for Musgraves, but it’s consistently her who is at the centermost of absorption — and that’s absolutely as it should be. Musgraves has affluence added on her bowl this fall, like a anticipation actualization on “RuPaul’s Drag Race: All Stars” and a achievement at the 52nd Annual CMA Awards, but it feels like she’s aloof at the alpha of an agitative new appearance of her career. No amount what comes next, though, consistently apprehend the abrupt aback it comes to music and style.
“She’s about gotten so abundant added adequate in her bark — I don’t necessarily appetite to say that, because I don’t appetite to be civil that she wasn’t [before “Golden Hour”] — but she’s actual abundant begin her way and knows what she likes, but she additionally brand to advance and change, so I feel like you’re never activity to see her absolutely settle,” says Ryan. “She’s consistently activity to be apprehensive what’s activity to be abutting and new for her; she break the box and the cast because she doesn’t affliction what anybody abroad is doing.”
Homepage Photo: Kacey Musgraves in Red Valentino during a January 2018 performance. Photo: Lester Cohen/Getty Images
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