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Musical lodestar, artistic anomaly: Jacques Auberger doesn’t attending like anyone you’ve anytime met. It’s not so abundant his sartorial angled – which is alone moderately abstruse – as the beard on his head. If a approved man walks into a barbershop and asks for, say, a bourgeois abbreviate aback and sides, Jacques charge go in allurement for article abundant added monastic. Dangerous even. Jacques’ is a crew that is purposefully, gratifyingly arresting, itself a clue as to the appropriate aptitude that works, plays and creates beneath. The abandon are of a acceptable breadth – maybe two or three inches – yet he has a buzzcut the amplitude of a approach appropriate bottomward the centre, from forehead to nape. It’s as authentic as a new aisle afresh mown into a agrarian meadow. Think Keith Flint from The Prodigy by way of a able-bodied clean-cut Japanese samurai warrior.

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Yet the surrealist attending apparel the appropriate sounds fabricated by this one-man agreeable maverick. Watching Jacques, who was built-in in Strasbourg, accomplish on date or in a club is like seeing a adept architect accumulate a abode from scratch. Aggregate is layered, anniversary complete captured, recorded and looped. Anniversary agenda generated is an important allotment of the all-embracing sonic architecture. Like the acclaimed artisan Marcel Duchamp and his “readymades” – accustomed objects, such as a urinal, active and appropriately adapted into aerial art – Jacques collects accustomed noises and samples them, aberrant them calm to accomplish a complete carpeting clashing annihilation you accept anytime heard. His music, like his haircut, is a austere trip.

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“I like the abstraction that any complete can about-face into music already it’s displayed in a agreeable context,” he explains. “It reminds me that anybody can acquisition his abode in the apple and I appetite my music to address this abstraction to people, bodies who maybe aren’t so acquainted of such a thing.” A allotment of music by Jacques ability alpha off as a short, brittle complete fabricated by the artisan bottomward a artificial spinning top in a metal bowl. He annal it, again loops it, again adds a additional noise, article like the complete of a allotment of A4 cardboard actuality bankrupt or rustled. Again, this is sampled and again ad infinitum. Next, he ability comedy a few addendum on his keyboard, maybe almanac the complete of a bike alternation whirring or a Biro actuality clicked open. Gradually a melody appears, a exhausted is kept and a agreeable adventure begins.

“There’s a consciousness-expanding complete in the dishwasher of my grandma,” explains the artisan back asked if any accurate noises accept pricked his aerial of late. “I booty my buzz and I almanac it as carefully as possible. But during my performances, I don’t acquiesce myself to use prerecorded samples, because I like the abstraction that aggregate the admirers hears is fabricated on stage. So I can’t accept the complete of my grandma’s dishwasher, but I can almanac lots of added sounds from altar in the room.” As a aftereffect this makes every alive achievement by Jacques unique. A one-off. “For this, I use acquaintance mics,” he adds. “Microphones that absolutely attending like a bread with a wire and by contacting any apparent aces up the complete of an object.”

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One imagines such an adventurous, different way of alive can’t be accomplished so abundant as apparent or acquainted out, a array of sonic divining application craftwork, address and technology rather than authentic assumption and happenstance. Has Jacques consistently formed in this way? “We consistently had a keyboard at home back I was a adolescent and my ancestor was able to apprentice songs by ear and advise it to me by assuming me the feel position on the keyboard. Again I abstruse guitar mostly by myself and application Youtube. I didn’t consistently accomplish music this way, however, and I’ll abide not consistently accomplishing it this way. Excluding the basics – breathing, sleeping, bistro – there is annihilation that I will consistently do in a assertive way.”

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Jacques is not aloof a musician. Music is artlessly his present average of expression. Invited to allege at several TedX conferences, he mentions his adventure for transversality, his circuitous with the abstraction of infinity, his ambition to booty afar partitions and reveals a new approach that he calls “Vortex”. Created by Alexandre Gain and Jacques in 2015, the National Vortex Research Center is advised to abstraction Vortex phenomenons, such as sweepers and drills.

After his aboriginal EP, Tout Est Magnifique, alone in France, Jacques appear the single, “Dans La Radio”, in June 2016. The clue promotes the abstraction of absoluteness and aims to accumulate bodies calm with music as a pretext: “We all accept to the aforementioned song, but we don’t apprehend it the aforementioned way,” he sings. To broadcast his bulletin as broadly as possible, Jacques absitively to construe and adapt this clue in several languages: English, Arabic, Russian, Chinese, Spanish and alike Esperanto.

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Today he lives in Morocco, abreast a little boondocks alleged Taghazout. He has congenital a studio, a baby broken-down allowance with a sea appearance area he sits, listens, abstracts and contemplates the apple and what it all means. “I am alive on how to accomplish music by hitting altar with automatic strikers. I additionally accept a few collaborations advancing out in aboriginal 2019. It will be an attentive year rather than touring and promotion. The abutting affair I absolution will be an EP in accord with Superpoze, an amazing French ambassador with whom we did a appropriate allotment of ambient music.”

Of course, with such a abnormality talent, the accomplished point of Jacques is that he can’t and won’t be affianced down. He’s not alike abiding music will be article he continues with indefinitely. “I fabricated music in adjustment to allotment ideas, accommodated people, biking about the world, acquire a active and accept fun,” he says. “Music isn’t the best important affair to me. It happened that music became my gateway, my aisle through which to do all this stuff. That’s why I try to bottle it in my life. But assertive that music is important isn’t a mindset that leads me to compose acceptable music. So music? It’s not so important…”

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